Thelonious Monk Brilliant Corners ( 180g vinyl LP )

Release date 15-09-2011(originally released in 1957)

2011 EU repressing( 180g vinyl LP )

Monks 3rd album for Riverside was hailed as the label's most important modern jazz LP to date, by Nat Hentoff Apart from a solo version of I Surrender Dear, the compositions are the pianists own Accompanying him is a small ensemble Sonny Rollins tenor sax Ernie Henry alto sax Clark Terry trumpet, Oscar Pettiford/Paul Chambers bass, Max Roach drums. Presented in sealed & stickered sleeve

Tracks
A1 Brilliant Corners (Thelonious Monk)  
A2 BaLue Bolivar BaLues Are (Thelonious Monk) 

B1 Pannonica (Thelonious Monk) 
B2 I Surrender Dear (Gordon CliffordHarry Barris)  
B3 Bemsha Swing (Thelonious MonkDenzil Best) 
B4 Pannonica (Thelonious Monk Alt Tk) 

Credits: 

Thelonious Monk (piano, celeste)
Ernie Henry (alto saxophone)
Sonny Rollins (tenor saxophone)
Oscar Pettiford (double bass)
Max Roach (drums, timpani)
Clark Terry (trumpet)
Paul Chambers (double bass)

During his early years, Thelonious Monk was considered one of the “most challenging, provocative and disturbing figures in modern music.” His music was regarded as difficult to listen to and understand, causing many fans initially to shy away from trying to “dig Monk.” This album helped remedy that problem. Recorded in December of 1956 for Riverside with a quartet featuring primarily Max Roach (percussion), Sonny Rollins (tenor sax), Oscar Pettiford (bass), Ernie Henry (alto sax), Clark Terry (trumpet), Brilliant Corners, an album of mostly self-penned numbers, is one of his greatest recordings. While still not casual listening, its pure brilliance and vitality can reach just about any listener.

“This album was actually one of the major factors in the successful battle to win new and wider acceptance for Monk. In the sequence of his Riverside discography, it followed two initial albums devoted entirely to 'standards' and offered the first occasion on this label for Thelonious to express himself basically through his own writing. Creating music for five instrumental voices in terms of his personal and unorthodox construction, approach and phrasing, he produced some startlingly brilliant examples of the great depth, wit, and strength of his style.” - producer Orrin Keepnews